Music Mixing Software and the Art of Music Mixing for Great Full-Bodied Vocals
Every single step of the songwriting process counts. Certainly, having the lyrics in place and having the orchestration be well thought-out counts also. But what really carries a song are the vocals. Are you sure that you’ve put a lot of thought into how exactly you’ll record the vocals to your DAW? For instance, the difference between a vocal that seems to get lost in the mix and one that seems full-bodied, can really come down to how many layers of vocals you record. A layered vocal with more than one recording one of top of the other, can make the voice track seem full and very lively. It’s just a little part of the art of music mixing that gets forgotten sometimes.
If you want to purchase music mixing software then go to the following link (make sure you check out the reviews first to see which one is best): Music Mixing Software
If you want some free music mixing software and free DJ mixing software then very simply go to your favorite search engine and type in ‘free music mixing software’ in the search box and you will get a good selection to choose from.
If your looking for online music mixing then repeat the process above.
So what exactly does it mean to layer a vocal? Does it mean that you need to copy and paste the same vocal recording twice, one of top of the other? Not quite. You need the thickening effect that two separate vocal recordings can bring. It’s kind of like doing a chorus by yourself. The best way to layer your vocal is to bring in the least amount of music mixing effects possible. That means that you are to record and layer all you vocals dry with no effects. You will more than likely want to monitor your recording over monitor speakers first. Headphones tend to separate the left and the right ears unnaturally. Speakers on the other hand will blend the layers in and make them sound the way they really are. What you are really listening for is to see if both layers come together with no interference. If there were two singers singing together to put down the vocal, they wouldn’t be singing one after the other, now would they? You want to make sure that both vocals when you layer them, come together so that the words start and stop at the exact same time. The best way to make this happen is usually to sing the second layer, while listening to the first playing over your headphones. Doing it that way, the sync should be pretty near perfect.
Ad-libs just happen to be the very life of any vocal recording. Not every inflection can be thought out beforehand and sung in a planned and structured way. When the singer actually lays down a vocal with the music playing and with his spirit soaring, that’s when off-the-cuff flourishes will normally occur. Now there are music mixing techniques that make these flourishes really stand out and become expressive. One tried and tested method and technique would be to take the ad-libbed words and pan them to a different place in the mix. You have to make sure though that the ad-libbed track is in perfect sync with the main track. You’ll probably do well to layer those tracks as well for added body and volume. As many ad-libs as you do, you’ll probably want to pan them to different parts of the mix. It’s all part of the master mixer’s technique to make sure that everything in the sound stage has its own place with nothing interfering.
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